Monday, March 15, 2021

"Parable of the Talents" by Octavia Butler

I was ambivalent about Parable of the Sower, though I found it compelling despite myself. In many ways, Parable of the Talents is a better book, despite some the rush at the end. While both Sower and Talents are comprised of Olamina's journal entries, the entries in Talents are interspersed with reflections from Olamina's adult daughter, Larkin, who was born in the Earthseed community Olamina founds at the end of Sower. Larkin's perspective gives some needed balance to Olamina's single-minded devotion to Earthseed. Larkin rightly calls her mother a cult leader and is aware of the collateral damage of her mother's cause. Larkin's perspective doesn't make Olamina a villain--and she certainly shouldn't be viewed as such--but she does raise needed questions. Olamina's choice to build a self-sustaining community based on respect and loyalty is inherently good, but she insists on that community existing to promote her religion of Earthseed. It's that leap that's hard to swallow, even for people (and readers) sympathetic to her cause. Plenty of religions embrace change--the Christian "Serenity Prayer" comes to mind--but Olamina adds to her religion a goal of achieving the "Destiny": humankind's future belongs (literally) in the stars through space travel and human population of other planets.

There's an argument to be made (though it's not made convincingly in the novel) for such travel, but framing a religion around that travel seems doomed. Heaven, as a concept, works because it can't be proven/disproven and can't be achieved while alive. It's never-ending. Space travel, on the other hand, is finite and fallible. Olamina believes in the Destiny because she believes humankind needs a grand purpose--if not eternity in heaven, then a genealogical eternity on other planets. But what happens when they reach and populate another planet? Does Earthseed end? We don't find out, though Parable (improbably, given the apocalypse in Sower) ends with the first humans heading out to the stars.

But I'm quibbling with points that aren't particularly important to the novel. Instead, the bulk of the novel follows Olamina as Acorn, her Earthseed community, is founded and then later destroyed and turned into a Christian Reeducation Camp. The camp is run by fanatical followers of President Jarrett (who really does have the slogan "Make American Great Again"). The camp guards steal Larkin, kill Olamina's husband Bankole, and enslave the remaining community members. Olamina's time in the camp, filled with brutal violence and rape, is the hardest to read. The violence is important to establish the regime they're living under, though the didactic criticisms of fundamental Christianity are tedious, even if wholly deserved.

Given the detail given to Acorn's founding and later destruction, the ending of the novel rushes by, with Olamina almost immediately finding success and financial support for Earthseed. Again, given the apocalypse in Sower, it's hard to believe so many people are well-off and eager to support a single-woman cause. If nothing else, it speaks to the strength of Olamina's character, something that was clearly established in Sower. She's a young Black woman, but no one doubts her leadership or competence. There's enough strength of will to almost make the reader want to believe in Earthseed.

I've mentioned two of the novel's perspectives--Olamina and Larkin. The third comes from Marc, Olamina's younger brother who was sold as a sex slave. After being freed by Olamina, he becomes a preacher in the Christian church that enslaved Olamina, and he chooses to hide Larkin's existence from Olamina for years. Marc should be a villain, but he never quite goes there, a testament to Butler's writing. Like Olamina, he finds certainty and solace in a belief system that provides him with purpose.

Talents probably should have been two books (perhaps would be two books today), but it's no less forgettable than Sower and definitely more thoughtful.

Miscellany:

  • In my review of Sower, I noted my confusion with Olamina's hyper-empathy syndrome, which seemed unimportant to the novel and inconsistent. It's even less important in Talents, and no additional information is provided, so I'm fully flummoxed by its use in the books.

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