Tuesday, July 20, 2021

"Memorial" by Bryan Washington

Memorial tells the story of gay couple, Ben and Mike, in a relationship that's on the brink of crumbling. Yet at the moment when their relationship seems at an end, Mike leaves their home in Texas for Japan, to be with his estranged dying father. Ben remains in Texas, suddenly roommates with Mike's mother, who's recently arrived from Japan. The book is told first in Ben's perspective, and then the same time period is told from Mike's perspective. The portrait that emerges is of two young men struggling with trauma from their families, who are unable to communicate, especially with the people they love the most.

Both Ben and Mike have casual, free-flowing voices. There's a lot to unpack in their identities, their relationships with others, their sense of purpose. I enjoyed the book, but the characters' inability to communicate could sometimes be frustrating. At times it felt like the dialogue was all subtext--a series of vague, "deep"-sounding non-statements, to the point where I had no idea what the tacit meaning was.

Still, it was a book with characters and relationships that go outside the norm that I read about. The voices felt authentic and nuanced. 

"The Doctors Blackwell" by Janice P. Nimura

I have a vague memory from elementary school that concerns me making Elizabeth Blackwell’s head out of a pumpkin. Not jack-o-lantern style, but painted, with a neat bun made out of gray yarn. I have to imagine a written report accompanied my creation, so presumably I learned that Blackwell was America’s first female medical doctor (M.D.). Like most people, that fact represented the entirety of my knowledge of the medical pioneer.

Nimura’s book complicates the basic fact of Blackwell’s fame, beginning with the title itself: The Doctors Blackwell. The pluralization of the profession reflects that the book is not just about Elizabeth, but also about her younger sister Emily, who followed in Elizabeth’s footsteps by also acquiring her M.D. and becoming her medical partner.

Nonetheless, the book is still largely Elizabeth's story, and Nimura seeks to paint a complex portrait of the doctor. Elizabeth did much good both by establishing hospitals for the indigent and, with Emily, opening a women’s medical college. But none of her actions were motivated by benevolence or altruism. She opened a hospital because she could get funding by the state and could not get work as a private physician. She opened the women’s college because the few women’s medical schools that existed were inferior, and she could not get qualified female doctors to work for her hospital. Elizabeth became a doctor to earn society’s—and men’s—respect. According to Nimura's portrait, Elizabeth was an idealist, not a pragmatist interested in the day-to-day work of caring for sick human bodies. She was ambitious, arrogant, and disdainful of others, just like so many male icons of history. She matched their bravado and found success—and censure—because of it. Ultimately, it was Emily who did much of the real physician work, including running the women's college for decades.

Aside from the sisters' fascinating history, one of the truths the book exposed for me is how misleading it is to focus on “firsts,” as doing so suggests a finality of accomplishment—in particular, overcoming discrimination—rather than a lifetime of struggle. For Elizabeth, acquiring the M.D. itself was, relatively speaking, easy. At the time, there were no admission requirements for medical school (beyond the ability to pay for it). Instruction consisted of two 16-week terms of (identical) lectures and examinations. There was no practical experience or continuing training. In that way, medical schools did little to actually train doctors. The male student body of the Geneva College of Medicine only agreed to admit Elizabeth because it seemed funny, a lark. But earning the M.D. did not clear the way for Elizabeth—she fought her entire life, often unsuccessfully, for the access, respect, and funding her male colleagues enjoyed. Even worse, her graduation did not clear the way for future female physicians either. Admitting one woman to medical school might be a publicity-earning novelty, but no male schools were ready to truly open to women. In fact, many—including Geneva—passed rules barring future women from entering. Emily’s first medical school barred women after Emily had completed her first year.

Sexism shaped every part of the Blackwells’ lives, and the book focuses especially on Elizabeth’s and Emily’s decisions not to marry. We know that many of their literary contemporaries—Louisa May Alcott, the Bronte sisters, Emily Dickinson, etc—were unmarried, and the Blackwells consciously chose the same. At the time, a woman’s success was completely incompatible with marriage, particularly since limited access to contraception meant a married woman would likely be burdened with children.

Interestingly, though the Blackwells’ time intersects with the burgeoning women’s rights movement, Elizabeth and Emily were somewhat skeptical. Elizabeth, in particular, looked down on most women, whom she found stupid, lazy, and silly. She blamed the women themselves—not men—for failing to rise from their station.

Ultimately, there was so much I found fascinating about the story. The Doctors Blackwell even reflects the Blackwells' time at an interesting point in medical history, a time before most modern advances or even basic hygiene practices, where physicians were as likely to do harm as do good. Doctors had to weigh what they were taught with their own experiences and observations in an attempt to do the most good.

In the end, the book paints a complicated picture of the Blackwells, of medicine, and of women's rights. I'd recommend.

Friday, July 9, 2021

"The Committed" by Viet Thanh Nguyen

The Committed is a sequel to Nguyen's The Sympathizer, which follows the previous book's protagonist after his experience--okay, torture--at a communist "reeducation" camp at the hands of his "blood brother," Man. Now living in Paris with the third "blood brother," Bon, the protagonist is psychologically tortured by a number of things: 

  1. The lies he's told Bon
  2. The people he murdered while a communist spy
  3. His "bastard" heritage as the son of Vietnamese woman and a French priest
  4. His love for his mother and his self-aware objectification of all other women
  5. Colonialism and the persistent racism as a result
And when I say "tortured," these five items are almost all he thinks about, except for occasional intrusions to get high or drunk and consider the drug-dealing business he's now a part of (including his ambivalence about supporting capitalism, given that he's nominally still communist). There's both power and tedium in the fact that the narrator waxes, ad nauseum, about these items. For example, we know that racism didn't end with slavery, and that racism today is not a result only of actions in the past but persistent racism today. The protagonist emphasizes that the same is true of colonialism. France's complicated and violent interactions with Vietnam (and other countries) didn't end with the end of colonialism, and even Vietnamese living in France as French citizens are still living with perpetual racism. There's power in the protagonist's recognition--and eventual exploitation--of these truths, but there's also the sense that the novel could have been trimmed without losing the message.

In fact, every one of the protagonist's revelations is repeated so often--and in such detail--that they begin to feel tiresome. Then again, perhaps that's part of the point. Racism is ever-present for those experiencing it but something to be addressed only when "convenient" when part of the privileged group. The idea is reinforced with the protagonist's perpetuation of sexism. There's a great line from Bo Burnham that goes something like, "self-awareness absolves you of nothing," which applies. The protagonist realizes he has used women as sex objects, but he doesn't stop doing so. In his final interaction with a woman, he can only focus on her partially-addressed (and very sexy [eye roll]) appearance, not her intelligence and power.

Nguyen is an engaging writer, and I eagerly followed the protagonist's desperate attempts to survive in a world so complicated there's no clear way out. Its stark depiction of the continuing harm of colonialism also serves as a reminder that racism is a multi-faceted, world-wide issue.