Sunday, December 31, 2023

Essay #32: Stats

Jeremy recently said a line that he'd heard somewhere about how middle age is just the process of setting arbitrary goals for yourself. All the real achieving is done, so why not complete a marathon!

To be fair, our world gives us a lot of things in which to track arbitrary goals. It's one of the reasons I know I don't need a Smart Watch. I'm pretty confident I get 10,000 steps a day anyway. But there are some stats I sort of like, regardless of how meaningful they are. So here goes:

Books read: 41

That's actually my highest total since having kids, a fact I realized just now. I've long kept track on an Excel spreadsheet, but I've started using Goodreads. I don't love the app, but it's relatively convenient.

Movies watched: 113

That seems like a crazy number, though considering I've replaced nearly all TV series watching (with the exception of The Great Pottery Throw Down) with movies (usually divided over one to two nights), it doesn't seem quite so bad. Letterboxd tracks this stat.

Miles hiked: 336

I realized how close I was to achieving 365 miles just a week ago--not enough time to make up the missing miles by today. Alas. Hiking 365 miles in a year is an arbitrary goal I hope to achieve next year. I use AllTrails to track my hikes.

Houseplants owned: 43

Thirty-four live at home, and another nine live at school. I walked around and literally counted my plants.

2023: Year in Review

A successful year with forty-one books read! A number of ones that I enjoyed. In my mini-foray into nonfiction environmental books, there were the excellent Desert Solitaire and On Trails. I finished Elena Ferrante's Neapolitan quartet. I liked experimental books, from Woolf's classic Orlando to the faux-biography Biography of X. Some strong showings in both fiction (Either/Or, Erasure, Small Things Like These) and nonfiction (How Elites Ate the Social Justice Movement, Monsters).

I received a Kindle for Christmas, so we'll see if that has any effect on my reading habits.
  1. If I Survive You by Jonathan Escoffery
  2. The Two Doctors Gorski by Issac Fellman
  3. The World We Make by N.K. Jemisin
  4. Verity by Colleen Hoover
  5. Either/Or by Elif Batuman
  6. Sourdough by Robin Sloan
  7. The Heart's Invisible Furies by John Boyne
  8. Orlando by Virginia Woolf
  9. Brutes by Dizz Tate
  10. Desert Solitaire by Edward Abbey
  11. Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin
  12. Wild Thoughts from Wild Places by David Quammen
  13. Mother Night by Kurt Vonnegut
  14. Ishmael by Daniel Quinn
  15. Men Without Women by Haruki Murakami
  16. On Trails by Robert Moor
  17. The Constant Rabbit by Jasper Fforde
  18. Wuthering Heights by Emily Bronte
  19. Rodham by Curtis Sittenfeld
  20. The Sea, The Sea by Iris Murdoch
  21. The Elephant Vanishes by Haruki Murakami
  22. Half-Life of a Stolen Sister by Rachel Cantor
  23. Queen of Scots: The True Life of Mary Stuart by John Guy
  24. The Signature of All Things by Elizabeth Gilbert
  25. The Story of a New Name by Elena Ferrante
  26. Stolen Focus: Why You Can't Pay Attention--and How to Think Deeply Again by Johann Hari
  27. I Am Homeless If This Is Not My Home by Lorrie Moore
  28. Those Who Leave and Those Who Stay by Elena Ferrante
  29. Small Things Like These by Claire Keegan
  30. The Story of the Lost Child by Elena Ferrante
  31. My Sister, the Serial Killer by Ovinkan Braithwaite
  32. Freakonomics by Steven Levitt
  33. The Vanishing Half by Brit Bennett
  34. Pet by Catherine Chidgey
  35. How Elites Ate the Social Justice Movement by Fredrik deBoer
  36. Erasure by Percival Everett
  37. Birnam Wood by Eleanor Catton
  38. The Heaven & Earth Grocery Store by James McBride
  39. The Book of Ayn by Lexi Freiman
  40. Monsters: A Fan's Dilemma by Claire Dederer
  41. Biography of X by Catherine Lacey
A few stats: twenty-three books by female authors; eighteen by male. Thirty-two fiction and nine nonfiction. Eight books published before 2000; nine books published in 2023.

Wednesday, December 27, 2023

Essay #31: Butterfly Clips

To those who have asked, Amelia has said that her favorite Christmas gift is her butterfly clips: four large, plastic clips that cost thirteen dollars at Target (I’m not bitter). I remember such clips from my own childhood, but they’ve made a huge comeback—the Target accessory section must have had several dozen different versions. The clips come in two parts, each with a series of narrow “teeth,” and are connected with a spring. A wearer can twist her hair into a ponytail, pull the ponytail up alongside the back of her head, and then close the clip over the pulled-up hair. It’s a cute and easy look.

On Christmas day, Amelia had me re-attach her clip several times, both loving the “teen” look and worrying that it wouldn’t look just right. She wore one of the clips as we drove to my parents’ house yesterday and was eager to show it off to the family. Last night, after some ooh-ing and aah-ing, Aunt Kathleen brought out a butterfly clip of her own, and we took turns trying the clips out on everyone. Amelia put up Kathleen’s hair; I put up Clara’s hair; Clara put up Emily’s hair; and so on. We even tried on Caitlin’s far-too-short hair. Everyone was giggling on the basement couch.

Amelia wore one of the clips again today, and she also wore the cheapest gift that I got her for Christmas, as it came from my local Buy Nothing Group. It’s a grey sweatshirt that reads “S’mores, Campfires, & Lattes.” I thought it was absurd—why make a sweatshirt about lattes in a kid’s size? I wasn’t sure what Amelia would think, but I think it’s grown to be one of her other favorite gifts. Like her butterfly clips, it’s a piece to show off, to start a conversation. 

I never did “girl” culture. I didn’t wear makeup or think about fashion or put any thought into my shoes. In fact, I prided myself on what I perceived as my lack of vanity. Yet during my sister’s bachelorette party, when all her friends gathered in the bathroom for several hours to “get ready,” I realized for the first time that I’d missed out on something meaningful. I wonder if that’s why I find Amelia’s interest in fashion more endearing than eye-rolling. Before we left for my parents’, we sat down together and watched several TikToks looking for new uses for the butterfly clip. I love complimenting her when she’s thought carefully about how to put together an outfit. It’s something simple and fun that we can share.

Tuesday, December 26, 2023

Essay #30: Christmas

For the first time in my entire life, I celebrated Christmas not at my parents’ home or at the home of Jeremy’s parents, but at my home. It was a far quieter day with just the four of us, but not too quiet. Clara woke us up at 6:11—and then again at 6:30, when she was allowed to wake us up. She roused Amelia, and we went downstairs where the girls explored their gifts from Santa and emptied their stockings. We delayed present opening as long as possible, so we were finished by 8:00am, when Jeremy got the french toast casserole going in the oven. The girls explored their gifts: unpackaging the Chelsea Barbie festival, complete with ferris wheel; trying out the new butterfly clips in Amelia’s hair; eating half the candy in a couple-hour period.

I feared a long day of restlessness, but the girls were content and occupied, and though I felt some anxiety about the mess (okay, a lot of anxiety by the end of the day), everything was nice. It helped that I escaped for a quick four-mile hike midday, and that I got some texts from friends far away. It also helped that we saw the movie Wonka at four. I didn’t mind Timothee Chalamet singing about candy even though my kids had consumed several pounds of it that day.

It's hard to know how to feel about Christmas now that I’m an adult. I enjoy seeing the magic of it through my kids’ eyes, but I’m personally ambivalent. I find it easy to feel stressed and anxious and hard to appreciate the present. Still, by any account, it was a successful day. I went to bed with a full belly, a clean house, and happy kids. 

Plus I got a soil moisture-level reader for my plants!


Monday, December 25, 2023

Essay #29: Bad Movies

"So-bad-they're-good" movies are having a heyday, what with long-running podcasts like How Did This Get Made and The Flophouse. I'll enjoy the podcasts occasionally myself, but I rarely watch movies of this ilk (Cliffhanger was a worthy exception).

Last night we had the neighbors over and celebrated Christmas Eve by watching Family Switch, a potential contender for "so-bad-it's-good." The movie is a blatant rip-off of Freaky Friday--this time the dad and son switch too!--with a shoehorned Christmas theme that appears to have been added at the last minute. Freaky Friday has plenty of charm, and its own narrative logic once you accept the basic premise. Family Switch has relatively little charm, unless you find Jennifer Garner's existence charming, and no internal logic. Bizarre choices are made solely for narrative convenience, and a superfluous CGI-baby is only creepy. The resolution is so pat and perfect that by the time there's full snow in L.A. on Christmas Day you just shrug.

So is it "so-bad-it's-good"? If we'd been watching just the four of us, maybe not. But with eight of us and the Christmas spirit, I loved every stupid minute. We talked at the movie the entire time, and got overly excited at its cliché turns. We might have screamed when we saw that the fortune teller's (?) license plate read "SLAY." Clara and Katie danced during the "spontaneous" choreographed number at the teen party. Amelia and Clara took turns flopping into my lap and then racing into the living room to eat popcorn. Even Joe, a proper teenager, stayed for the entire time. 

There's been numerous movies (and books, restaurants, places, etc.) in my life that weren't objectively good but were perfect for the moment, and I'll declare that this was one of them. 

Sunday, December 24, 2023

Essay #28: Piano

Clara's been asking for weeks to learn piano. I've been hesitant, mostly because it went so poorly when I tried to teach Amelia a few years ago. We carried along for several months, but she became frustrated once the pieces got slightly challenging, and soon our lessons turned into her screaming and refusing to play. Now she remembers only one song, the plodding "Cowboy Joe," which she plays at far-too-regular intervals.

I've taught seven of the neighborhood kids, so I'm reasonably confident in my ability to teach (even if none of my former students still play). I played for most of my childhood and also taught younger students when I was a senior in high school. Still, my own relationship with the piano has been uneven. I started playing young, but I hated the teacher I had through elementary school, and I became lazy, refusing to improve with the excuse of disliking him. I quit for a few years and then picked it up in high school, but my new teacher had reasonably high expectations that I wasn't prepared to meet. My former teacher hadn't held me to account on accurately playing the beat, and so I'd mostly ignore it. I eventually quit on my new teacher too, but I restarted with my boyfriend's teacher during my senior year of high school. She was honestly a good fit--not too exacting, but not too lenient, and I eventually taught some of her youngest students--but my graduation was the end of my piano career.

Soon it became embarrassing to tell other people that I had played piano for most of my childhood. I wasn't any good, particularly given the number of years I had devoted. I couldn't name any great composers or pianists. I could sight-read basic music, but I didn't even know how to count out the beat for more complex pieces.

Once we moved to Cincinnati, my parents had my childhood piano sent down, and it resides in my office. I still have vague memories of choosing the piano at the store alongside one of my first piano teachers. I've thought about trying to learn again as an adult, and I find some pleasure in picking out a song, but I don't think I'll ever really return.

Nonetheless, I hope both girls will play. So, today, I reluctantly agreed to give Clara her first lesson. She was eager and attentive, listening carefully to my instructions. By the end of the thirty minutes, she could play "In the Jungle," an easy three-finger piece. 

I don't know if her enthusiasm will last. Maybe she'll end up in the same place as Amelia within a few weeks. But it was a good thirty minutes. I got to appreciate my thirty-year-old piano again. I got to appreciate Clara, who can wear me down with her "Mommy, will you...", again. 

Saturday, December 23, 2023

Essay #27: Grocery Store

We got back from my mother-in-law's mid-afternoon today. We'll be leaving again on the 26th to visit my parents, but we have the next two and a half days at home and no food. So what does that mean? Family grocery trip.

During the pandemic, we switched to doing pick-up grocery orders, and a little over a year ago we switched to Kroger delivery. We never seemed able to make time to grocery shop anyway, and I hated the crowds. Now, I stop by only occasionally to grab a missing item.

Jeremy or I could have gone alone without the kids, but since we'll be doing Christmas Eve and Christmas here at our home for the first time, it seemed appropriate to let them get involved. I braced myself for chaos, but Kroger wasn't nearly as bad as I might have feared for a Saturday two days before Christmas. They were completely out of non-green bell peppers, but Amelia managed to find two orange ones hidden atop the bin. They were out of cream cheese too, but I pulled out a shipping box and ripped out a block. No green beans, so we subbed broccoli. We will have to settle for grating our own mozzarella--no more shredded to be found. We ran into Clara's Girl Scout troop leader. We doubled back for hamburger buns and chopped pecans. We decided my dad definitely needed a local brewery's IPA with fir tips added. We bought expensive nuts and fancy cheeses for a Christmas day charcuterie board.

All the hunting and discovery made it feel a little like an adventure. The girls were in great moods. Amelia pushed the cart with Clara hanging off the side and didn't even run into anyone. Now, our pantry and refrigerator are full, and Jeremy's cooking dinner in the kitchen with our haul. It might just feel more satisfying than a delivery person knocking on the door. 

Friday, December 22, 2023

Essay #26: Nap Trap

There's a cartoon that resonated with me completely when I was a new mom. It's of a mother nursing her baby, but her cell phone is just out of reach on the bed. The mom looks at the phone desperately, but it's impossible. She's trapped, and she doesn't even have the dull escape of endless scrolling to console her. 

I was never one of those mothers who swooned about the baby stage. I didn't understand women who cooed over "baby snuggles" and "baby smell." Sure, I agreed that babies were cute, but they were so boring. The first months with each of my girls felt like a continuum of nothingness. I knew it was necessary nothingness to ensure they reached the real person stage, but I wasn't keen to stretch it out. I was thrilled when the girls started crawling, then walking, and then talking. I shed no tears over the end of breastfeeding. We potty-trained early. We shifted out of cribs early. 

Some women told me that I'd miss the sweet baby days once they had passed, but I honestly don't. I'm glad my daughters can go to the bathroom alone, and buckle their own seatbelts, and sleep through the night.

Of course, children at all ages have their own challenges, and I feel every one of those challenges today, as we celebrate Christmas (three days early) at Jeremy's mom's house. There are twelve people--six adults and six children. For me, six children in one house feels like a lot, and high emotions over presents and who got the best toys meant plenty of drama. I felt myself growing tense and grouchy as the morning dragged on and presents, boxes, and ribbons extended their reach over the entirety of the first floor. An afternoon walk and park visit helped reinvigorate me a bit, but soon we were back inside the crowded house for dinner.

Jeremy's mom had been holding Benjamin, who, at nine months old, is the youngest of the cousins. I claimed my nephew so that Marian could eat, and his pathetic cries made it clear he was sleepy. I bounced him back and forth in my arms, shifting my weight from one leg to another. I shushed him quietly, mimicking the sound of a hair dryer. Soon, he was asleep in my arms. I walked over to a kitchen chair and sat down. I knew I'd be sitting there until he awoke. I was nap trapped.

Part of me said to embrace the moment. Benjamin was warm and heavy against my chest. His face was at total peace. It was a sweet moment. But my arm ached, my lower back hurt, and that all-consuming nature of new motherhood passed over me. 

Even years removed from the newborn days of my own children, I felt the ambivalence over the sacrifice required for new mothers. After all, I had made all the sacrifices of a "good mom," but I hadn't feel warm and satisfied at the time.

Benjamin didn't nap all that long--maybe twenty or thirty minutes. Once he was awake, he got passed back to his mom for feeding. I was freed again, to snuggle my own, much larger children as we watched Elf on the couch. They, too, are warm and heavy against my chest. But I don't feel nearly so trapped.

[This essay also finished a day later than the published date, but only because my laptop ran out of battery, and I'd forgotten to bring my charger to Jeremy's mom's house.]

Thursday, December 21, 2023

Essay #25: Directed Drawing

In an attempt to be more environmentally friendly, I've avoided using wrapping paper for the last several years. I save all the gift bags from birthdays, Christmas, and other special events to reuse, which serves us adequately. However, I know that there is something satisfying about unwrapping a present, a feeling that pulling tissue paper out of a bag can't quite match. For that reason, I've taken to wrapping some of the girls' Christmas presents with reused material: saved brown paper grocery bags, leftover wallpaper samples, brown packing paper from Amazon packages.

I still want this "upcycled" wrapping to look festive, so I draw cute Christmas pictures on them. Since I have no natural (or learned) artistic skill, I use YouTube directed drawings, primarily from the Art for Kids Hub, where an enthusiastic dad guides the drawing alongside one of his children. In the videos, the dad walks the audience through the drawing, step by step--draw a long, straight line here; add a curve there. At the end, he encourages the audience to color it in however they want, though he shows his fully-colored image too. The final drawings are cartoons, with thick black Sharpie lines and exaggerated features.

Last night I used the channel's videos to decorate Amelia's and Clara's packages with the following: a penguin in winter clothes; hugging snowmen in a snow globe; a smiling cup of hot chocolate with smiling marshmallows; and a svelte arctic fox. I'm particularly proud of the fox, which has some light-blue shading and looks like a Pokémon. 

Directed drawings are incredibly popular now--both of my girls regularly do them in school--but they obviously didn't exist in the pre-YouTube era of my elementary school days. There were some "how to" books, but for the most part, you could either draw, or you couldn't. Today, anyone can complete a "skiing squirrel" or "jellybean Santa." No doubt directed drawing has its critics. It's not real art--the wide-eyed, cutesy characters look a lot alike--or reflective of real talent. It puts its users into a connect-the-dots box, rather than encouraging creativity and discovery. Still, discovering that I can complete something worthy with five minutes guidance on the computer perhaps works to challenge the binary of artist/not-artist I've had most of my life. It makes me a little more confident that I'm capable of learning.

Wednesday, December 20, 2023

Essay #24: Solo Movies

The first time I saw a movie alone in a theater, it was the summer of 2004, and I was interning at the Feminist Majority Foundation in Washington, D.C. Though I enjoyed the graphic design work and research into Title IX, my roommate and I had taken an instant dislike of one another, and I struggled to make friends with the other FMF interns. One week, depressed by the thought of a Friday evening in my rented room, I decided to buy myself Quiznos and see a movie: M Night Shyamalan's The Village

This was in the days before smartphones, so when I arrived at the theater a little early, I could only sit and stare ahead, feeling intensely awkward. I tried to look expectant, like my cool boyfriend would be showing up any moment. I visited the restroom--maybe more than once. I imagined what the other patrons would be thinking. "Look at that twenty-year-old woman. What's so wrong with her that she has to go alone to a movie?" 

Still, once the movie started, I relaxed. I liked Bryce Howard, though now I wonder how well she really played a blind woman. The film wasn't as good as The Sixth Sense, but I still fell for the "twist" ending.

It would be a long time before I'd visit the theater alone again, but it's become something of a habit recently. I've become more interested in film, and post-pandemic it feels important to see movies in the theater, not just on my TV. However, I hate spending money on a babysitter just so Jeremy and I can see movie, and if I'm going out with a friend, I want to chat, not sit silently. That means solo trips, usually when Jeremy and the girls are gone or I have an unexpected day off work.

In the last year or so, I've seen Mrs. Harris Goes to Paris, The Banshees of Inisherin, The Fabelmans, Oppenheimer, Killers of the Flower Moon, and last night, Godzilla Minus One

Godzilla wouldn't have been my first choice, but the prestige movies of the season haven't opened in Ohio yet, and the film had such an unusually high score on the Letterboxd app (4.2!) that I was curious. The movie was fun, with an enormous pot-bellied Godzilla that made me chuckle appreciatively every time it appeared. It had a sweet message about family and the value of human life that, I'll confess, made me tear up a few times. An evening well-spent. 

Jeremy has a phrase he sometimes says to Amelia when she worries about others' perception: "Literally, no one cares." It sounds mean, but it's said humorously, an acknowledgement that it's reassuring to know we're only a quick blip on most people's radars. I find it reassuring too. Twenty years after I first saw The Village, I'm far less self-conscious about how I spend my time. I can spend my Wednesday night reading subtitles of Japanese in a suburban AMC alone. No one cares. 

[I've broken my essay streak! It wasn't intentional. I had planned to write this essay yesterday after seeing the movie, even musing over the topic in the car, and then, by the time I got home, I'd forgotten. But I'm writing it the next morning and pre-dating it for yesterday because I can do what I want.]

Tuesday, December 19, 2023

Essay #23: Deer

The white-tailed deer (Odocoileus virginianus) is ubiquitous in Ohio. Over 200,000 were "harvested" during the last hunting season, and yet our state still has a population of approximately 750,000 deer. When Jeremy and I were backpacking in Yellowstone, our guide stopped to excitedly point out a group of white-tailed deer in the distance. Dude, we did not come to Wyoming to see deer.

Because our home backs up to woods, we regularly spot deer in our front and backyard or walking down our neighbors' driveway. Once, the girls were playing outside and discovered a fawn nestled just next to our deck, left there while its mother foraged. Another time, I startled a family of deer in our neighbors' yard. The adults jumped the fence, but the baby was left inside, unable to find the exit. My neighbor eventually had to chase it out.

Not surprisingly, I also encounter deer a lot when I hike, particularly on days when the parks are mostly empty. I startled a group of four hiking in East Fork on Sunday, and I came upon two while at California Woods Nature Preserve today.

Even though I see deer regularly, I stop each time we meet. Partially it's because they're Ohio's largest mammal, and I have to respect something that weighs as much as I do. Partially it's because even though deer are firmly ensconced in the suburbs, sighting them still makes parks feel a little more wild.

Plus, the only other wild mammal I spot with any frequency is squirrels. Squirrels don't evoke much because they run away as soon as they see me. Deer, on the other hand, bolt--and then stop. Every time.

Take the deer today, which bounded across the trail as I headed uphill. It continued several more yards, down a hill, and then turned to consider me. Stock still, it faced me pensively, its black eyes locking with mine. There's no way I could just keep walking; it would be like ignoring the cardigan-wrapped old lady waving as I walked down the street. Instead, I also stopped, then finally called out "hi." (I'd called "Merry Christmas!" to one at East Fork.)

I'm not usually given to talking to animals or talking to myself when I hike. It's really just the deer. After a few seconds of eye-contact, the deer leaped off again.

I know deer are nuisances, resulting in car accidents and destroying home landscapes (a pesky deer ate the sunflower Clara had nurtured all last summer), but even worse, they eat important native plants like baby oaks. Even though I'm vegetarian, I don't have issue with deer hunting, which I know is necessary to control the population.

Still, encountering a deer, like unseasonably warm days, feels like a "gift." Yes, I'm anthropomorphizing, but I choose to believe that the deer takes notice of me, that I exist, that I'm someone. It regards me with something that feels like understanding.

Monday, December 18, 2023

Essay #22: Snow

There's plenty of Ohio jokes in the fact that yesterday I wrote about "unseasonably warm days," and today I'm writing about snow. The first snow of the season! It began mid-morning and continued, off and on, throughout the day, heavy enough during the beginning of 7th period that everything looked blurry, and I suggested the students hold off on driving home if it continued. 

In general, I don't like snow. It makes hiking difficult, and it's warm enough in Cincinnati that most snow quickly turns to dirty slush. I greeted the snowfall out my classroom window with a resigned sigh.

The girls are already off school for Winter Break, and they each had a playdate scheduled. While I sighed at the snow, I received a text from the father of one of Clara's friends. He'd sent a video of Clara and her friend on their driveway, dancing and giggling as the snow fell in thick flakes around them. He included a photo of Clara too, a smear of ketchup from lunch still on her cheek. Her eyes are closed, her mouth is wide open, and her tongue is all the way out, just waiting for the snowflake to land.

I still don't love snow. But I love that Clara loved it. 

It's in the 30's today, but the ground is still warm, so little of the snow stuck. By now, as I write from home, all that remains is a dusting on our deck furniture. 

Sunday, December 17, 2023

Essay #21: Unseasonably Warm Days

I've already noted that we've had unseasonably warm weather the past couple months. We're fully into colloquial winter and will soon enter official winter, yet we've had a surprising share of days over 50 degrees, including this weekend. 

Yesterday was beautiful and sunny, but it was a busy day, so I only managed to squeeze in a 45-minute walk around the neighborhood. Today I knew I'd have a little more time, so I planned to hike in the morning, even though the forecast called for rain (not an issue, of course). Like often happens, it rained all night but was clear by this morning, and I was all too happy to settle for a grey, wet hike. Even in this I got lucky: by the time I was finishing my five-mile hike at East Fork, blue skies and fluffy white clouds were pushing away the gloom.

Both today and yesterday I got the benefit of crisp but but not cold air, the silence of the woods, and some bright sun. I couldn't be happier.

It's probably one of my cheesier beliefs, but each time I get pleasant hiking weather, it feels like a special gift to me from the world. This feeling is especially true in the winter, where I can easily succumb to frustration and ennui. Perhaps because of that, winter is one of my favorite times to hike. The bare trees mean you can see farther into the distance, and I don't have to worry about crowds or overheating.

On the other hand, I can't help thinking that my "gift" from the world might actually be global warming, and that the unseasonably warm weather is a harbinger of worse to come. At this point, it's hard to avoid the fact that so many of my joys--delicious foods, comfy clothing, vacations--come at the expense of the Earth. In my AP classes, we've spent the last few months reading essays from Wendell Berry's The World-Ending Fire, and many of his pieces criticize the global economy and our materialist culture. He would have nothing but disdain for dinner at a fancy restaurant, luxury joggers, and trips to Europe. After all, my choice to purchase any of these contributes to the depletion of our earth's resources, harms our ability to foster a local economy, and empowers multi-national corporations. 

But even if unseasonably warm days are caused by climate change, my enjoyment of them does no further harm. And I think Berry would argue that the earth is a gift worth savoring. Unlike the foods, clothing, and vacations, a beautiful day to hike is a gift humans can't make. 

Saturday, December 16, 2023

Essay #20: Monsters

I've been reading Claire Dederer's Monsters: A Fan's Dilemma for a couple of weeks. Dederer, a professional film and book critic as well as a memoirist, writes about one of the big questions facing fans right now: can I enjoy art created by a person who has done terrible things?

Her book is an engaging and nuanced approach to the complicated question, and she addresses many of the expected figures in this discussion (e.g. Woody Allen, Roman Polanski, Michael Jackson, Pablo Picasso). Of course, as Dederer repeatedly points out, these figures are almost exclusively men.

The chapter I read last night, however, is about female monsters. Dederer argues that, from a societal perspective, male monsters are defined as such because they prey on women and children. Female monsters are defined as such because they abandon children, abdicating their duties as mothers.

Dederer argues that being an artist is orthogonal to being a mother, for both practical reasons (artistry requires free time that motherhood consumes) and psychological (artistry requires selfishness that motherhood precludes). Historically, male artists have prioritized their art over fatherhood in a way that is approved, or at least accepted, by the broader culture. Women who do the same, however, are despised for abandoning their caretaking role.

It's a point I've thought of a lot since watching Lost Daughter, an adaptation of an Elena Ferrante novel, and then reading the novel itself. In the Ferrante story, the reader learns the protagonist, Leda, abandoned her young daughters, leaving them with her husband, for several years to pursue her academic career (and, to be fair, to have an affair with an admiring peer). As an older woman, Leda struggles to come to terms with her actions and with her relationship to her children, feeling she is an "unnatural mother."

Of all the stories I've seen about motherhood, Lost Daughter hit me especially hard. I identified so strongly with the suffocating experience of motherhood, particularly in the years when my girls were very young. If I'm being honest, I also identified with the desire to disappear, to leave it all behind and feel untethered. I remember wryly telling a friend that I was lucky I'm not in a career where my intelligence or ambition are rewarded, or where I have the potential to "rise to the top"--I have no justification for an action like Leda's. 

My friend looked at me in surprise, and I felt a little embarrassed. I don't think he could understand just how paradoxical motherhood can be. Of course I love my children; I'm grateful to be their mother. I believe I'm a better person today because of them. I would never abandon them. But that doesn't mean the desire to cut it all loose doesn't exist sometimes.

Fittingly enough, I was pulled away from this essay after the paragraph before--to move the laundry into the dryer and to start a new load; to console Clara, who was angry Amelia had thrown her Shopkin; to make both girls grilled cheese for lunch. They're now eating quietly in the kitchen, while I steal back into my office to finish this essay. An essay that no one will read, that has no real exigence or purpose, that I care about anyway. 

For that reason, I appreciate Dederer taking on Ferrante's themes from a critical perspective, and from the perspective of an artist and a mother who's grappled with similar issues. It gave me a sense that maybe I'm not a "monster," or an "unnatural mother," as Leda feared. I can love my children and want to be more than a mother.

Friday, December 15, 2023

Essay #19: Reflection

Three years ago, I switched to a "gradeless" classroom. Instead of grading individual assignments, I provide narrative feedback on students' work, and at the end of each quarter, they write me a letter arguing what grade they've earned in the course, in line with how well they've worked towards our classroom goals.

As part of that letter, students have to reflect on their work over the last nine weeks: what's gone well and where they still need to improve. Pedagogically speaking, I think it's an important that students be able to articulate what they know and what they don't. Equally importantly, they need to have some sense of what needs to change to achieve mastery.

Today my AP students had to turn in their quarter letters. As with every year, not all students are as sincere in the process as others. Occasionally I find myself rolling my eyes as a student gushes about how much his writing has improved--while ignoring obvious weaknesses. Others describe real progress, but in generic terms that don't reflect much understanding of the skills they're using. Some admit they're struggling but don't really know why.  However, a lot of the letters impress me. They reflect a level of metacognition about the work the students are doing that gives me hope. Not just hope for their work in my class or their chance on the AP exam, but hope that their ability to self-reflect can create meaningful change in themselves and in their worlds.

In the letters, the students also often say some nice things about my class. Again, I know it's not all sincere--who's going to bad-mouth a class and then say he deserves an A?--but even when I'm feeling most cynical, I don't think it's all empty flattery. Plus, hearing what's worked helps me reflect too. And hope that I'm creating some kind of meaningful change, even if it's just in my little classroom. 

Thursday, December 14, 2023

Essay #18: Subtitles and Glasses

Jeremy and I have spent the last two nights watching Scrapper, a recent British movie about a rebellious twelve-year-old who must forge a relationship with her absent father after her mother's death. Even though it's in English, we're watching it with subtitles, as we do most movies these days. There's a lot of reasons we need the subtitles: the challenges of the British accents and British slang; the construction of modern flat-screen TVs, which produces poorer-quality sound; the ambient noise in my house from heaters and other appliances. 

I'm also watching the movie wearing my glasses. I got a prescription for them this year, and though they're sort of cute, I never wear them out and about--only to watch movies in my home. Wearing them is like suddenly having an extra-high-definition TV. The images are clear and crisp. Plus I can read the subtitles.

At times, resorting to subtitles and glasses seems a little extreme. I'm only forty! But I have to admit that a better film experiences trumps my vanity. I know I'm lucky, too: streaming and easy availability of DVDs means that I can have subtitles for anything I want; low-cost eyeglasses shops like Zenni make frames a cheap purchase. Ten or fifteen years ago I would have resorted to turning up the sound and squinting. I try not to be too appreciative of tech, especially for things like entertainment, but this is one for which I'm grateful.

Wednesday, December 13, 2023

Essay #17: Kitchen Table

I have a distinct memory of when Jeremy and I purchased our current kitchen table. We'd been using an Ikea table that I acquired right out of college for twelve years, and it was clear we needed to upgrade. Not only was its wood veneer cracking badly, but it was far too small, even when extended, to fit all the people we had for our regular Dungeons & Dragons gatherings. Jeremy and I went with the girls to a local, real wood furniture store to find a piece that would look good, fit a crowd, and last. Amelia was three at the time, and Clara was a baby, maybe a few months old. By some stroke of bad luck, we'd forgotten to bring the diaper bag. By a double stroke of bad luck, Clara pooped.

Our precarious situation put us at a crossroads. Should we abandon the table purchase, return home, and then trek two small children out, yet again, to pick the perfect table? Or should we make a decisive judgment? We chose to be decisive. (It didn't help much--then came chair choice and stain choice and leg style choice. Fortunately Clara didn't seem to care too much.)

Still, I was pleased with our table purchase. It was the first piece of "real" furniture Jeremy and I purchased together. It was a rich, dark brown wood. In its smaller form, it was the perfect size for a family of four; fully extended, it easily fit our D&D group.

Our family loved that table, but in the suffocating-the-cat-by-laying-on-it way, not the loving care kind of way. From the beginning, our girls ate the same food as us, not baby food, and they ate it from the table, not a high chair. We tried to keep the table somewhat protected, but we unwisely used thick plastic placemats and rubber meal mats, which trapped moisture underneath. Within a short period of time, the finish at the girls' two ends of the table had rubbed away. As the years passed, the table became sticky-feeling, its finish gone.

A year ago I tried to repair some of the damage, but only succeeded in giving the table a weirdly-shiny sheen that did nothing to cover the worn and sticky areas. So, a couple months ago, I made another decisive decision: I'd get it refinished. A local craftsman agreed to take on the job. He picked the table up in early December and returned it a week later, this past Monday evening.

It's beautiful. It looks brand new! The top is smooth and gleams mildly. It makes me happy looking at it.

A few people asked me why we didn't just buy a new table. We spent $700 on the refinishing, which was cheaper than the original table but certainly not a small amount of money. But I'd never considered getting rid of it. It's our table. I'm proud of it. It was with us through the throes of toddlerdom. It's hosted D&D, game nights, gingerbread-house parties, Thanksgiving during Covid, and dinners with family friends. It survived a 250-pound man falling through the ceiling and landing on it! (that's another story) And, now, it even looks good too.

Tuesday, December 12, 2023

Essay #16: Christmas Lights

My dad has put up Christmas lights for as long as I can remember: fat, multi-colored bulbs strung along the roof of our house. Even though white lights, icicle lights, and others have come into fashion since my childhood, he's continued to use the same style for decades.

When I was younger, it was an annual tradition for my parents to drive my siblings and me around the neighborhoods admiring other families' Christmas displays. In college, I had a friend, John, who was a Christmas fanatic. For years, we'd get together after the Christmas Eve church service to traverse the neighborhoods, offering live commentary and deciding which house had the best showing. I became attached to houses with oversized colored bulbs. One year, John got $5 gift cards to City BBQ, and we left them in the mailboxes of the houses we judged the winners. 

This past Sunday night we visited family friends to partake in their neighborhood's annual tradition. Houses in the neighborhood light luminaries, and the neighbors gather for a December walk. There was even a food truck that served donuts and hot chocolate. It was a cold evening after so much warm weather, so it wasn't too surprising that we saw a lot of people at the food truck--and almost no one enjoying the lights.

Still, the eight of us walked a few blocks to the most impressive display in their neighborhood--one of those computer-choreographed shows set to music. We hung out on the sidewalk, admiring the pulsating lights. The kids danced (okay, I did too). The homeowner walked out to offer us candy canes. It was a gift-card deserving performance, for sure.

Despite my admiration for other people's lights, I've never put them up myself, even though my children have asked. I'm willing to put a lot of energy into traditions I care about, but electronics feel too much. A wreath on the front door is all I manage for external Christmas decorations. Maybe that's why I'll be all the more glad to see my dad's colorful lights when we drive home for Christmas in a few weeks.

Monday, December 11, 2023

Essay #15: Doctor Who

I came upon this line from Donald Hall in John Green's Anthropocene Reviewed: "We did not spend our days gazing into each other's eyes. We did that gazing when we made love or when one of us was in trouble, but most of the time our gazes met and entwined as they looked at a third thing. Third things are essential to marriages, objects or practices or habits or arts or institutions or games or human beings that provide a site of joint rapture or contentment. Each member of a couple is separate; the two come together in double attention.”

For many years, Jeremy and my "third thing" was Doctor Who.

I couldn't say exactly why we both embraced this niche fandom. I'd fallen deeply for The X-Files in middle school, and Jeremy adored the high-fantasy Wheel of Time series as a kid, so maybe it somehow fit both interests. The new series' reboot started in 2005, but I believe we jumped on board a couple years later. In 2013, when we traveled to Great Britain, we visited Cardiff, Wales solely because it's where Doctor Who is filmed. We did a bus tour of shooting locations and spent hours in the Doctor Who Experience, a sort of interactive museum. 

It's a little funny that we visited in 2013, because the next year I would give birth to Amelia, and she would shift to be our one and only "third thing" (until Clara was born in 2017, of course). Doctor Who had declined in quality by then anyway, we said. There were huge gaps between seasons. We still kept up with the show, though often months after the episodes aired. We thought Jodi Whittaker did an admirable job, but we couldn't muster any enthusiasm for her tenure.

Within the last few weeks, Doctor Who aired three new specials starring David Tennant and Catherine Tate. David Tennant previously played the Doctor from 2005-2010, when we first started watching, and Tate joined him as his companion Donna Noble in 2008. At first I was a little skeptical--the choice to bring back old stars seemed like a desperate cash-in on nostalgia, and the first special was clunky and thematically awkward.

This past Friday night, Jeremy and I watched the second special, and it was like I'd been transported back in time. The story was interesting; the characters had chemistry; the pace was quick; the villains were scary. It was an hour of pure joy. For an hour, we shared our former "third thing." I remembered life before children, where being passionate about something inconsequential seemed important, not a silly luxury. I remembered the enthusiasm for complicated adventures and weird British mannerisms that had brought Jeremy and I together.

Of course, Doctor Who had never been our only "third thing." There was The Office; our cats, Abby and Oliver; a cooking class; a dislike of Philadelphia; Scrabble games. Still, it stands out to me as uniquely emblematic of my 20's and the first years of our marriage.

Today, there are still remnants of our Doctor Who stage around the house, including a Tardis salt shaker and coin bank and a poster of the Doctors in our bathroom. And if you're a fan like us, then you'll already have noticed another remnant: the names of our children.*

*Amelia Pond, companion from 2010-2012 (The Doctor played by Matt Smith)
Clara Oswald, companion from 2012-2015 (The Doctor played by Matt Smith and then Peter Capaldi)

Sunday, December 10, 2023

Essay #14: Rainy Weather

Yesterday's evening forecast called for continuous heavy thunderstorms. Still, we decided to press our luck and visit the Cincinnati Zoo for its annual Festival of Lights. We prepared appropriately: waterproof boots, rain jackets, and three umbrellas. We also got there very early--at 3:30pm. We had the zoo nearly to ourselves the first hour and were second in line to visit Santa and Mrs. Claus. We were the first to purchase fried elephant ears--covered in caramel, chocolate chips, and whipped cream--from "Mrs. Claus' Workshop." The girls had no trouble reaching the handlers to pet the snakes. The crowds had picked up some by the time we left at 6:30, the lights beautiful against the night sky, but it never felt packed. The price we'd paid for a calm, warm evening at the zoo in December? Walking through some drizzle.

At this point, Jeremy and I take it as a point of pride that we're willing to gamble on rain for the sake of avoiding crowds. Perhaps our biggest win was during our vacation to Gatlinburg in the summer of 2022. We'd scheduled Saturday as our hiking day in the Great Smoky Mountains, but it poured all Friday night, and when we woke up, we were dismayed to see the day's forecast called for constant thunderstorms. We checked the radar repeatedly, and by the time we'd had breakfast and gotten dressed, the forecast showed a small break in the storms for the next hour or two. "Let's go for it," Jer said. We piled the girls in the car, grabbing our rain jackets, and headed out.

We'd chosen to attempt some of the park's most popular trails, including Chimney Tops, which I'm sure would have normally been overrun on a weekend during peak tourist season. Instead, we found ourselves hiking alone, enjoying the new water features created by the previous night's rainfall. The girls managed nine miles over three trails that day. The trails were wet, but it never rained.

This past summer, Jeremy and I vacationed in Scotland and spent three days hiking the West Highland Way. Of course, since it's Scotland, it rained every day, and since we had no wiggle room in our itinerary, that meant wet hiking. And, for the most part, I found I didn't really mind. The moors only seem right in a foggy mist.

To be sure, we've had a couple of our risks fail. There comes a point where rain is so intense that any kind of outside activity isn't really possible. But I like to remind myself that none of us are Wicked Witches, and we've nothing to fear from the rain.

Saturday, December 9, 2023

Essay #13: Mount Airy Forest

Yesterday I had the day off work, and I spent the morning as I normally do on days when I have off and my children are in school: hiking. I went to Mount Airy Forest with a friend from work, and we did a little over five miles on an unseasonably warm Friday morning. Mount Airy is pretty special. It's the largest Cincinnati Park at 1,459 acres, and it's one of the few places within the 275 Loop where a hiker can get some decent mileage (most suburban Cincinnati parks don't have more than 2-3 miles of trails). While you can't escape the sounds of traffic, you can escape the sights of it. There's a section where you walk along a ridge, and you can look out on the forest beyond. Since it's December, the forest floor is covered completely in fallen leaves. It's hard to believe that such a place exists only seven miles from downtown.

Recently Mount Airy has received a bad reputation from some sexual assaults that occurred there a couple years ago. In fact, the first time I tried to make plans to hike there, a friend warned me off: you can't go alone, she insisted.

Still, I eventually visited anyway. I usually hike alone, and I wasn't going to give up that many real hiking miles close to my home. The first time I hiked, it was on a cold and dreary Friday in April of 2022. I was practicing for my summer backpacking trip, so I wore a 40-pound pack. Certainly the park didn't look promising in such weather, but I completed the trail nonetheless and only saw one other person--a benign-looking old man. I hiked a second time on a muddy day in early April of this year, and the third time I visited, in late May, I did my longest hike at eight miles. That third time, it was bright and warm, and the park's shelters were full of families celebrating Memorial Day. I took a trail that wound through the park's Arboretum. It was the first time I really appreciated what the park had to offer, beyond mileage.

There's the old adage that everyone is better than their worst moment. That has to be true of Mount Airy too. After all, it was established in 1911, so a history that long can't be all sunny. I was surprised to learn that it's actually a man-made forest, so the beautiful canopy I looked out on didn't even exist a hundred years ago. That's something to admire.

Friday, December 8, 2023

Essay #12: Christmas Concert

Yesterday was the annual Christmas concert at school. After we got through the band performance--which sounded like a group of 6th graders who just received their instruments for the first time--and through the middling entry-level choir, we arrived at the selective choir's performance. We got a new music teacher several years ago, and he's done wonders with our music program. Their voices are in unison. The lyrics are crisp. Half a dozen boys step forward for confident, clear solos.

It's a sort of surreal experience, seeing the rambunctious energy (or, alternatively, sleepy ambivalence) prevalent in the classroom transformed into a joyful whole. Sure, the boys know what teamwork means; after all, they regularly work as one for sports or extracurriculars. And individual students know what it means to create art; some produce stunning photographs or deeply personal paintings. But I think it's one of the few times the boys come together in pursuit of beauty.

Afterwards, the students left to perform at the girls' school across the street. Later, I heard one bragging about the impression his solo made on the opposite sex. He might claim choir is all about the "rizz" (it's Oxford's Word of the Year, but thanks to my students, I've been familiar with the slang for quite awhile), but I'd like to think I know better.

Thursday, December 7, 2023

Essay #11: New Leaves

Both my monstera and my fiddle leaf fig at home have new leaves. It seems like it should be too late in the year for new leaves to emerge, particularly on these plants, which don't push out new leaves often (this is only the seventh leaf on the monstera!). I worry that they've been fooled into thinking it's spring by the unseasonably warm patches of weather. Still, I won't deny the excitement of seeing the light green growth unfurl.

The monstera leaves emerge out of a previous stalk, first as a tightly-wrapped point. Over several days, the "wrap" gently loosens and the shape of the leaf begins reveal itself. The monstera is fenestrated, so there's large holes in the new leaf, which will be about the size of both my hands. The new leaf is about half-unwrapped at this point. I have to resist the urge to hurry its unfurling along.

The new fiddle leaf fig leaf grows out of the top, usually opposite the last leaf to emerge. It begins as just a tiny, light green half moon, then gradually grows up while getting wider. When it reaches full-size, it'll be far darker in color and match the size of my hand, but right now it's only a couple inches tall. Already it has deep, reddish-brown veins all along its back. 

I'm proud of both of these leaves; their indifference to the fact that it's December. I want to be like them--stretching out toward the sun, regardless of the shortening days and the lowering temperatures.

Wednesday, December 6, 2023

Essay #10: Sentimental Movies

On Saturday, I took my girls to see the new Trolls movie. One of the previews was for Ordinary Angels, what appears to be a treacly, Christian-message film about ordinary citizens banding together during a snowstorm to get a young girl who needs a kidney transplant to the hospital. As the trailer music swelled while people in small-town-USA rushed out to clear the roads by hand with their snow shovels, I rolled my eyes--and simultaneously restrained myself from bursting into tears. 

Last night, I watched Dawn Wall, a documentary about two climbers' attempt to be the first to free climb a multi-pitch ascent on El Capitan in Yosemite National Park. Tommy Caldwell and Kevin Jorgensen had been trading off climbing; neither would go ahead until the other had successfully completed the previous pitch. However, at one point, Kevin gets stuck for days on Pitch 15, and Tommy eventually climbs ahead, completing the most challenging pitches and giving himself just a few moderate climbs to go before reaching the top. He could easily have completed the climb, with headlines blaring "Tommy Caldwell only person to complete the Dawn Wall." Instead, he refuses to finish without Kevin, sticking with him for several more days until Kevin finally succeeds on Pitch 15 and can complete the rest of the climb.

The scene where Tommy chooses to wait has none of the over-the-top sentimentality of Ordinary Angels. Tommy makes the pronouncement mumbling over a camp stove, almost nonchalantly insisting he wants to summit together. There's no hug or soulful eye contact. Nonetheless, again, I had to restrain from bursting into tears.

I've long feared sentimentality, so much that I've reflected on my aversion on past occasions. On my review of Tomorrow, and Tomorrow, and Tomorrow, I wrote, "Maybe it's not possible to write about deeply loving relationships without being a bit sentimental. I guess that's okay too. I've reached a point in my life where I know I value those more than anything else, so I suppose it's only to be expected that my tastes in literature would reflect it." I couldn't help but feel buoyed by the joy of Dawn Wall the rest of the evening. I even texted two friends I hadn't spoke to in awhile. 

Of course, none of this means I'll watch Ordinary Angels. I'm not that sappy.

Tuesday, December 5, 2023

Essay #9: Neighbors... and Taylor Swift

I debated about what to write from yesterday. I was tempted to talk about Taylor Swift. Amelia choreographed a dance to "22," which she performed for me and Clara, and afterwards we watched a bunch of Swift's music videos. Even though I'm not really a music person, I understand Swift's popularity. There's an unabashed joy in them that's infectious--as evidenced by the fact that "twenty-two-ooh-ooh" has been running through my head all day.

Still, these are my essays, and they can be about whatever I want, so I've instead chosen to write about neighbors. We're getting our kitchen table refinished, and yesterday the craftsman, Rick, called to arrange to pick up the table that night. Jeremy's out of town for work, and I was worried about Rick and my ability to lift the heavy table out the door. When Rick arrived, it was clear that, though I'm strong, the table was going to be too heavy. I texted two of our neighbors to see if they could assist, and John was over less than a minute later, cheerfully helping Rick load the table into the truck.

We have two families of neighbors that have been indispensable to us: through raising children, navigating Covid, and fighting the alienation of middle age. I have countless "lifting a table into a truck" stories to tell, though I won't recall them all now. Still, I'm incredibly grateful for these neighbors' physical help and emotional support through the past decade. 

Monday, December 4, 2023

Essay #8: Overalls

Amelia and Clara have two pairs of matching overalls, identical except for the size. Jeremy's mother, Marian, bought them for Amelia a year or two ago at my suggestion, and she purchased two sizes since Amelia's so petite that bottoms often don't fit well.

Now that Amelia's a little older, she can fit in the larger pair, and so we passed along the smaller ones to Clara right before Thanksgiving.

Overalls inspiration hit, and both girls wore them for three days straight over Thanksgiving break. The first two days, Clara put Amelia's mustard-yellow sweatshirt on top, and we told her she looked like a teenager.

I was never moved much by adorable kids' clothes. I don't buy frilly dresses or absurdly fancy shoes. No boutique all-cotton rompers with woodland creatures. I never purchase the girls matching outfits. We still get most of their clothes that aren't hand-me-downs from the used children's clothing store.

But, man, do I love the overalls.

Is it their folksy charm? The wide, casual leg? The sense that they're making a statement?

Clara wore the overalls again yesterday, over a pink top. She always insists on wearing leggings underneath, for reasons I still don't fully understand. And all day long, whenever I caught a glimpse of those denim bibs, I smiled.

Sunday, December 3, 2023

Essay #7: "You Are Strong"

On Saturday morning I took the Strength Train Together class at the Y. It's traditional full-body strength training, albeit choreographed to music and done as a group exercise. I've been taking the class twice weekly for two years now. As we did one of our deadlifts, I glanced at myself in the mirror. I could see the definition in my shoulders and biceps. I could see my thigh muscles, firmly supporting the weight.

Later in the afternoon, I visited the Cincinnati Nature Center. I hike there a lot, and I've done each trail dozens of time, but I'd never done them in a single go, completing the 11-mile "Perimeter Trail." I had only planned on doing a moderate hike--maybe 4-5 miles--but suddenly it seemed the perfect time to do the whole thing. It was a beautiful day. I could have worn a t-shirt, even though it was December. After three and a half hours, I finished, a little hungry and my knees only a little sore. 

It was a day where I felt strong.

This feeling of strength is new to me. I wasn't athletic as a kid. Sure, I ran around at recess or in the woods behind my neighborhood, but I never played on any sports teams. In gym, when we had to play softball, I'd choose the outfield, and unless the ball landed directly at my feet (I never tried to catch it), I'd stare at it as if it were a meteor or something--not something I was responsible for.

My self-perception didn't change much as an adult. In college I joined the fencing club, but I was a poor fencer, and in later years, I abandoned fencing myself to run the club and our competitions. I worked out in my late 20's but stopped when I got pregnant with Amelia. I did twice-weekly lifting with a trainer after Clara's birth, in a desperate attempt to reshape my mangled stomach, but I was overwhelmed and exhausted by working and caring for two small children. I only lasted six months. I knew who I was: small, weak, unable.

Two years ago, I started climbing at a local gym once a week with a friend. Climbing requires strategy and technique, but it also requires strength. Still, I'd doubt myself. I had to fight the sense that I looked silly, a middle-aged woman floundering on the wall. On one evening session, I was bemoaning my lack of ability on a certain route. "I'm just not strong," I said. My partner turned to me and said simply, "You are strong."

It was the first time someone told me that. And for the first time, I let myself believe that maybe it was true.

In the last two years, I've sent challenging 11-rated routes in the gym. I've climbed in Red River Gorge. I've completed a week-long backpacking trip though Yellowstone Park. I've hiked fifty miles of the West Highland Way in Scotland. Something has changed in how I view myself.

Still, there are days when I have my doubts. I'm still frustrated by a body that betrays my age and motherhood, regardless of what activities I do. So I try to embrace days like yesterday. Days when I feel strong.

Saturday, December 2, 2023

Essay #6: Quiet School Buildings

I was having trouble finding delight yesterday. Not that it was an actively bad day, but it was one of those days that just "is." It was December 1, and the winter doldrums made their presence known with a constant stream of light rain. We had no plans for our Friday evening, so Jeremy made dinner and we played Tickets to Ride (junior) with the girls. I was happy for the family time, but I knew I'd be lying if I tried to make a meaningful metaphor out of it. Six days in and already a failure?

As I lay in bed last night, I tried to think of something to write about. I finally came up with a topic, but I'd fall asleep as soon as I started to think of it. Not sure what that means.

Each morning I get to school about 7am, even though first period doesn't begin until 7:50. I'm not the only one in the building at that hour--there are robotics students arriving for their early-morning period;  custodians turning on lights; a handful of other teachers prepping for the day; our school resource officer welcoming everyone at the front door. Still, the building is largely quiet; the hallways are largely empty. A contrast to the hustle and bustle of more than 500 students that characterizes the school day.

When I walk through an empty 2nd floor hallway and into my empty classroom, where I flick on the lights, I feel a sense of calm. I say hi to my plants, fish my coffee out of my bag, and settle in my chair to begin the day's tasks. Once students arrive and assignments pile up, I'll feel stressed and rushed. But the quiet under glaring fluorescent lights is "me" time. 

Because everything's a metaphor, I'll argue that the reason even just thinking about my empty classroom made me fall asleep is because it's one of the few times of day where I really am at rest; a time where I feel like I have everything together.

Friday, December 1, 2023

Essay #5: Clara's Riddles

Clara's in that perfect "kids say the darndest things" stage. She's old enough to take in a lot of what she sees and hears around her, but she's young enough that she doesn't fully understand it all. 

Clara's also confident and no-nonsense, full of probing questions and bold assertions (yesterday she told me that she could beat a former classmate in a race and that she's "actually pretty thin"). She can change topics on the spot, or bring up conversations apropos of nothing. She almost always begins, "Mommy, guess what?" regardless of what she wants to tell me.

I can only assume they did some riddles at school yesterday because, as we were running errands with Amelia, Clara decided to ask some. She started with one that I assume has basis in a real riddle, but I still can't figure out.

    Clara: A person gives you a one dollar. And then it crumbles. A person gives you a two dollars. And then it crumbles. A person gives you four dollars. What happens?
    Me: Nothing?
    Clara: RIGHT. The first two were leaves.

She followed with a mangled version of "A plane crashed in the woods; where do they bury the survivors? (answer: nowhere; the survivors are alive), though all she really remembered was that the riddle had something to do with a plane crash and survivors. Still, she must have got some idea that riddles are about death, because she started improvising similar ones of her own.

    Clara: You're walking down a street. There's no cars. You die. How?
    Me: You have a heart attack?
    Clara: NO. There's a pool in the street and you run into a pole and hit your head and you die.

    Clara: You're walking down a street. There's no cars and one person next to you. You die. How?
    Me: Um, you the person pushes you down and you hit your head?
    Clara: No, close. Someone KICKS you so hard you fall and die.

    Clara: You're in the Artic and die. How?
    Me: You drown in the ocean?
    Clara: No, an animal PUSHES you into the ocean and you drown.

Amelia and I were in hysterics (so much so that I cried repeating the riddles to Jeremy later that night), and Clara was pleased with herself.

I love Clara's curiosity and confidence. Her favorite phrase might be "don't you know I know that?" She lacks much of that self-consciousness that even Amelia, who's only three years older, already has. It makes any conversation with her an adventure.

Thursday, November 30, 2023

Essay #4: Classroom Plants

On Monday, I purchased a hoya hindu rope from my local plant seller. It doesn't have traditional flat leaves, but instead its leaves curl, bend, and close over each other in clusters along the stems, which trail down from the plant. On mine, the effect is that of two green and white, overly-twisted octopus tentacles emerging from a tiny black and white pot.

In my houseplant family, I think the hoya is the quirky step-sister, small but full of personality. Why does it need to curl its leaves so tight? How can a stem support such weight? I rearranged a number of items on my desk at school so that I'd have it in constant eyesight. It probably would do better directly on the windowsill of my classroom, but that's behind me, and I want the new addition on full display.

I have a lot of houseplants. Most are at my house, but my classroom at school has three wide, east-facing windows that receive fantastic sunlight. Plants thrive in my classroom in a way I can't achieve at my house. Right now I have nine plants at school, and though the hoya may be my current favorite, it's not my newest, even though I acquired the hoya only three days ago.

Last night I was at Kroger with my youngest daughter, waiting for the pharmacy to fill her amoxicillin prescription (for a double ear infection). We wandered over to the "reduced" section, where we nabbed a box of mini croissants and I noticed a shopping cart of reduced plants. Most were air plants that I had little interest in, but a small arrowhead plant in a pot designed to look like tree bark caught my attention. There was no price tag, which meant the poor self-checkout lane attendant had to spend ten minutes in consultation with other employees to finally decide that she would charge me $2.50 for it.

Today, the arrowhead sits in one of the coveted east-facing windowsill locations. It has a cluster of mid-sized leaves shaped like a sharply-pointed hearts, but it was "reduced" for a reason. The leaves have a brownish tinge, and many have dried-out tips or cracks. I think the arrowhead is a bit of a grandmother, holding on despite years of wear. 

I hope the hoya isn't jealous that I gave the arrowhead the prime window location. I've been glancing behind me every so often to ensure it's doing okay next to my suffering homelomena selby, a "rescue" from home. I'm still holding out hope it'll revive in the sunny window location, but it's the sulky teenager in the family, so I'm not entirely confident.

My classroom plants give me delight. I burst with pride when they develop new leaves; I admire them as I wander among the students in my classroom. I stop to visit during my prep periods, a break from the constant essay-reading. They promise growth and renewal; even the ones that die don't feel like real failures, but an opportunity to start anew. As the mug on my desk at home proclaims, I'm a "proud plant parent."

Wednesday, November 29, 2023

Essay #3: Hot Pink Shoes

Yesterday, I wore hot pink flats to school.

Such an announcement may be unwarranted for other people, but it is indeed news for me. I have always thought of shoes the same way I've thought of cars: as nothing more than practical and necessary conveyances. For years, I rotated three pairs of Nine West kitten-heeled, pointy-toed shoes at work, identical except for their color--black, brown, and tan. Now that I'm officially middle-aged, I've switched to flats--in black, brown, and tan, of course.

Sure, I've occasionally been excited about shoes, but only when in service to an activity: my LLBean duck boots, acquired early-pandemic for the wet and muddy spring; my Saloman hiking boots, purchased before my week-long backpacking trip in Yellowstone; my La Sportiva climbing shoes, which proved I was taking on climbing as a real hobby, not an occasional trip. But to be excited about a pair of business casual shoes? Never.

My indifference is partly due to my practical nature and partly due to the fact that I have absolutely no sense of style. To compensate, I dress as suburban-mom basic as possible. Not conspicuously out of fashion; not on-trend. Think "fade into the wallpaper" style.

A couple months ago, a friend passed along some gently-used shoes that she not longer needed. Most fit my "wallpaper" style, but one was a pair of dress flats, in a slipper style. They were clad in a faux fur, with small black spots upon a tan background. I looked at them in astonishment. These shoes were not wallpaper! Should I choose to wear them, they "said" something. I wasn't quite sure what the message was, but I certainly didn't feel worthy of carrying it. In fact, the idea of conveying an intentional message through my shoes was terrifying--surely others would see through my attempt at style and inwardly laugh.

They sat in my closet for a few weeks until I finally worked up the nerve to wear them to school with an entirely neutral outfit. The response at school? Nothing--I teach at an all-boys school. They wouldn't remark on my outfit if I showed up in a chicken costume. Still, I felt a little daring, a little wrong, and a little proud all day.

A few weeks later, I met a friend in the evening, and she was wearing hot pink flats with jeans and a casual top. Maybe I was overly emboldened from the fur slippers, but something happened that had never happened before. Those hot pink flats moved me. I had to have some.

I occasionally get weird obsessions with acquiring random things: moss art for our bathroom; a Roka backpack that I saw in a gift shop in Scotland. If I put it off long enough, many of these obsessions pass. The obsession for hot pink shoes did not. I justified my longing by scouring Poshmark for a secondhand find. And there they were: Rothy's Dragon Fruit flats, size 8. 

I tried to play coy. I resisted for a few days. I chalked by obsession up to some subliminal Barbie mania leftover from the summer movie. And then, I bought them. I bought a used pair of hot pink flats for the same price they'd be sold for on Black Friday. 

They arrived right before Thanksgiving, and yesterday, I wore them for the first time, with gray slacks and a black long-sleeved top. I stepped into the entirely empty hallway at 7:00am with a bit of spring in my step. 

Even though another teacher called my shoes "ostentatious" (I chose to interpret the comment as a compliment), by halfway through first period, my spring was gone. It was clear maybe four students read the assigned chapter of The Great Gatsby; another student boasted he "read" an assigned essay by listening to the audiobook on 3.5 times speed. In my advanced class, one student said his writing didn't matter--he just capitulated to whatever he thought I wanted; the guidance counselor told me another student blamed my essay advice for his failure to be admitted to a summer program. 

I felt the unending frustrations of being a teacher. But--and though I'm still not entirely sure what message they conveyed--I was wearing fabulously, fantastically, hot pink shoes.

Tuesday, November 28, 2023

Essay #2: 10pm Check-In

Every evening, right around 10pm, I hear the soft patter of feet on my carpeted stairs. I turn as I see Amelia, usually clad in one of the giant t-shirts from my school that she wears as pajamas, enter the living room. She approaches with a faux appearance of timidity, her fingers on her lips as if nervous--as if I'm going to reprimand her for being up so late, though we both know I'm not--and shuffles over to me on the couch. There, she snuggles in deep, and I cover her with the blanket. I ask her about the book she's reading; she asks me about my book or the movie I'm watching. We talk about the upcoming day. She's childish and sweet, maybe even a little slap-happy given the hour. After five minutes, I kiss her on the head and tell her goodnight. She gets up, shuffles out of the room, and returns back up the stairs.

I'm not sure when the tradition started. Though for years we've put both girls to bed starting at 8:30pm and are done reading to them by 9:15, Amelia had trouble falling asleep, so she'd stay up after we left, reading one of her novels. When she still had trouble falling asleep, Jeremy suggested she listen to a podcast--for whatever reason, she's chosen "Who Was?", a short-lived children's trivia podcast about famous figures from history. She's listened to every episode more than a dozen times at this point. Amelia started coming downstairs every night when she was done reading--usually about 10pm--to ask Jeremy to start the podcast. Somehow that nightly request morphed into our five-minute snuggle ritual.

Jeremy's usually in the room, and he occasionally participates in our conversation, but more often than not, he plays around on his phone while Amelia and I gab. I've long safeguarded my personal time after the children go to bed, but I don't mind this intrusion. It's easy for Amelia and I to get into silly fights during the day, but this time is different. I'm not distracted by my to-do list; Amelia's not anxious about friends or perceived slights. 

Amelia likes snuggling at pretty much any time, but I'm most receptive to it at this hour. I'm cozy on the couch, she feels warm and, if she's just showered, her hair smells damp and flowery. Last night, when I told her it was bedtime, she turned and snuggled in even harder, burying herself under the blanket and into my stomach. I laughed at something she said, and she giggled when she felt my belly vibrate.

One of my favorite children's books, Uni the Unicorn, is about a unicorn hoping to meet a "real girl." The book describes all the things the unicorn imagines they'll do together. On one page the text reads simply, "Other times, they would just sit quietly and talk about important things."

I know these times are precious--and fleeting. I appreciate that, right now, Amelia still longs to snuggle and "talk about important things" with her mom. So, last night, like Uni, I cherished my "strong smart wonderful magical" little girl.

Monday, November 27, 2023

Essay #1: Corsi Tree Farm

When I was in high school, there was a popular daily reflection practice--I want to say it originated with Oprah--where you were supposed to take time each evening to write down three things you were grateful for. Cultivating gratitude and all.

It's a lovely sentiment, but when I tried it, I just felt depressed. On too many days, I couldn't think of anything particular I was grateful for. Generic statements about "family and friends" seemed like a copout. When I wrote down trivial things that didn't really count, I felt insincere, not reenergized by my bounty.

I recently checked out Ross Gay's The Book of (More) Delights, from which I've read exactly one essay (and the introduction, if that counts). Still, I find myself feeling inspired simply by the idea of his brief essays. They seem doable! And charming! And I probably should find more delight, particularly as we head into winter, which I never weather (pun intended?) well. 

Of course, given my previous experience, I'm hesitant. What if I find no delight, only monotony? What if I feel cynical, or--even worse--sentimental? Still, as I lay in bed last night, a first topic came to me. So here goes.

Yesterday, my family drove out to Corsi Tree Farm to cut down our Christmas tree. It's a tradition we started in 2020, when we wanted to find some new festive fun--outside and away from everyone else. Cutting down a tree in nowhere Ohio fit the bill.

Because everyone else had the same idea in 2020, and because we visited a few weekends into the holiday season, the selection was poor by the time we arrived. We walked up and down the rows of neatly planted trees, feeling like Goldilocks: all the trees were too short, too tall, or weirdly misshapen. No "just right." Additionally, it had rained recently, so the fields were full of mud, and my youngest daughter, Clara, was only three, so she had difficulty walking. After what must have been at least an hour of searching, we headed into a "natural" area where the trees weren't planted in rows but haphazardly, often right up against each other. It was there that we found the perfect tree.

It wasn't actually perfect--a number of branches stuck out in weird angles--but we were proud. Jeremy lay on the ground to saw the tree down. We bought the girls candy and cookies at the gift shop. They proudly decorated our tree when we returned home. 

We wanted to repeat the tradition in 2021, but a first floor renovation meant no room. We returned in 2022--and found a tree much more easily--and then again this year.

Now that my girls are six and nine, family traditions are a mixed bag. The girls still enjoy many of the same things they did when they were younger, but we also get far more complaining: they're bored, they want to spent time with friends, they want to be lazy around the house.

Still, when I pushed them out the door just after 9am on Sunday, no one was grumpy. On the ride there, the girls eagerly shared their memories of tree hunting from years prior. We talked about Clara getting stuck in the mud. We talked about Amelia buying a stick full of gummy candies. They were enthusiastic.

Once we arrived and got out, I felt myself perking up too. The air was brisk but not uncomfortable. It was bright, and open fields of trees lay before us. We were early in the season, and there was a lot of inventory. We quickly found several suitable trees. The girls were eager to choose right away, but there was no way I was going to drive forty minutes just to find a tree in five. We hiked on.

Inevitably, the complaining began. Amelia said I was too picky. Clara said we'd walked too far. Still, I could tell their hearts weren't really in the whining. It was beautiful, and it felt good to be outside. We got into the depths of the Canaan Firs, and it was clear our tree was here. My Texas aunt texted  and remarked that she hadn't had a real tree in ages. I smiled to myself, knowing I'd have a real Fir scenting my home for the next month. We picked a few potential trees with lovely shapes and full branches, and I ran back and forth between our finalists. The winner was one Jeremy picked.

Clara insisted on helping Jeremy drag the tree back to the barn in which we'd pay. All the ride home, the girls excitedly talked about the decorating process. There'd be hot chocolate and popcorn and Christmas music. We started to name our favorite ornaments: the cats battling over popcorn; the fencers to resemble Jeremy and me; the ceramic turtle. We reminisced about the ornaments we'd made over the years.

That evening, once we'd finished decorating, the girls ran off to a friend's house. They got into stupid fights that evening; I felt frustrated. 

But today I can look at our tree in our living room, decorated proudly by my family. Ornaments from all our years together cover the tree. My girls won't always be little, and I'm sure they'll fight the family tree-cutting tradition in years to come. Still, this year, I can delight in our moments together. And I can remember that the world is a delight--maybe even I can embrace the Ohio winter.

Sunday, November 12, 2023

"Erasure" by Percival Everett

I checked out Erasure after seeing the trailer for the upcoming movie American Fiction, based on the book. I was a little surprised to learn the book was more than twenty years old. The trailer, at least, seemed to situate the story in a post-2020 world of anxious white publishers attempting to "reckon" with their publishing bias and privilege--and, of course, failing miserably, being all the more biased and privileged for their patronizing attempts to recognize "real" Black voices. Though I'm eager to see the film, it came as a happy surprise to find that the film's source material has a far different focus. Everett's book doesn't care about white privilege much, though of course the book's protagonist, "Monk" Ellison, is furious that his books on philosophical classics are labeled as "African American Fiction" and that the only Black books that sell focus relentlessly on a caricature of dire struggle in the "ghetto." And a central feature of the novel is the parody Monk writes in this vein that, not-so-ironically, goes on to be a beloved, award-winning bestseller. But despite all these conflicts, Everett is focused primarily on family--Monk's complicated relationships with his siblings and parents; how his sense of self-identity was formed from those relationships.

Monk is both arrogant and insecure. He was his father's favorite, but his doctor siblings seem far more accomplished. He writes dense, complicated books that no one reads or understands. He has no relationships beyond his family, and even those are considerably cool. He finds pleasure in philosophy and wood-working, but beyond that, he seems adrift. He's forced into action when his sister is murdered and his mother's health takes a significant decline. In other books, such a catalyst might force change or growth, but Monk's path isn't that simple. He's furious at himself for "selling out," but he takes no righteous stand. He's overly-generous, too late, to peripheral people in his life, but he can't rescue the relationships he actually cares about. 

Erasure, like Monk, is a little dense and not always entirely clear. But that just means that Monk is a compelling and complicated character. Similarly, the social satire the film will undoubtedly explore is still there, but more ambiguous. After all, at some point, I started to wonder if Monk's parody was actually good. 

Wednesday, September 27, 2023

"Small Things Like These" by Claire Keegan

On the one hand, there's nothing altogether shocking about Small Things Like These, which revolves around an Irishman's realization that the convent near his home is abusing young women. Revelations like these about the Magdalene laundries and other abuses perpetrated by the Catholic Church have made the news and been turned into a number of recent movies and books. The increasing visibility of such stories don't reduce their horrors at all, but it does mean a new book on the topic needs to do more than just reveal the atrocities.

Fortunately, Keegan's Small Things Like These does just that, spending little time on describing the abuse--most of it is assumed, unsaid--and instead focusing on her protagonist, Bill Furlong. Bill is a good man; he's a loving father and husband, a respected boss, and a reliable citizen. The only "stain" on his character is his parentage: his mother gave birth young, out of wedlock, and Bill never learned who the father was. Still, he was protected from the worst treatment as a child of an unwed mother because of his mother's employer, who protected and cared for her and Bill.

Bill is a good man, but like most people, his day-to-day is consumed by the mundane of tasks to be done. He tries to find time to think and make sense of the world around him, but the pace of daily life is relentless. When he is forced to confront the convent's abuse directly, he does as most do and falls into politeness and easy escapes.

Bill, his wife, and his daughters are comfortable, but they're not secure. They can buy small indulgences for Christmas, but Bill knows a blown car engine will mean putting off new house windows for several more years. That precariousness--the sense that any good in life can be undone in a moment--shapes most of Bill's thoughts. 

Nevertheless, in the end, Bill makes the "right" choice and rescues one of the girls. Though he repeatedly acknowledges that this isn't an easy victory, as there will be repercussions for his actions, I still was initially disappointed with Keegan's book. After all, she chose to finish on a high note with Bill's heroism, which felt like it overshadowed the enormous coda that there is no pat happy ending.

But then I thought about it a little more. Keegan's Small Things Like These isn't a novel, or really even a novella. It's a short story, which I say not to criticize the publisher's decision to print as a standalone book, but rather to note that its success relies on the short story form. In short stories, nothing is resolved, as they're typically only a snapshot of a character, a setting, a dilemma. It's a moment in time when a decision is made. To that end, Keegan's made a moving portrait of a man trying to do good, not just out of sympathy for his mother (though that plays a role), but because he recognizes the importance of "daily kindnesses" and the value of allowing "the best bit" of oneself to "shin[e] forth, and surfac[e]."

(as an additional note, though any group of stories doesn't tell all stories, it's increasingly hard to believe the Catholic Church has done any good in the world)

Tuesday, September 26, 2023

"Those Who Leave and Those Who Stay" by Elena Ferrante

I hadn't realized that I read My Brilliant Friend, the first in the Neapolitan quartet, over two years ago. I recently recommended Lying Life of Adults to a friend, and when she liked it, she started the quartet--which of course got me going on the series again. So now I've finished the third book, Those Who Leave and Those Who Stay, which follows Elena and Lila as they navigate adulthood as wives and mothers while also pursuing careers.

In rereading my initial review, I'm struck by how closely Ferrante has maintained her central themes without producing books that feel repetitive and reductive. Across all three books, the central characteristics are the same: Lila is brilliant; Elena, despite more outward success than Lila, feels forever in Lila's shadow. Both women are still tied to the claustrophobic neighborhood of their childhood--Lila literally, and Elena by her inability to escape the town's ongoing drama and tension, even when she moves away.

What dominates this novel more than the earlier ones is the political tension broiling over class conflict and even a burgeoning feminist movement. Those tensions have always existed, but now that Elena and Lila are older, they find themselves more directly involved: Lila by working at an abusive factory and Elena by reporting on the abuse. These tensions are especially ambiguous for Elena, whose education, success as an author, and marriage into a well-off family seem to rise her above her station. Yet she feels continuously reminded of the poverty of her childhood, and no amount of success allows her to shake the imposter syndrome she's internalized. She never feels confident unless praised by those she assumes are superior, and even then, she views any "brilliance" she reveals as more that of a trained parrot--repeating the "right" phrases through careful study--than any intelligence of her own.

Yet Elena is smarter than she gives herself credit for, especially as she considers her relationship with her husband, Pietro. He appears a "modern" man--one who refuses to get married in a church and praises Elena's education--yet he quickly shows himself as small-minded as any chauvinist of his day. After all, you don't have to hit women to insist they take on a inferior role.

But I think what makes these novels work is that, among all the political considerations, Elena (and Lila too) are also consumed by the pettiest of jealousies and slights. They're brilliant and they're also incredibly human: selfish, judgmental, stubborn. These traits are especially evident in Elena's feelings for Nino, whom she's been infatuated with since childhood. Nino's torrid affair with Lila consumed most of book two, but in book three it's Elena who ends up with her childhood crush. There ought to be some celebration when Elena and Nino get together, but it's clear he's a complete cad--even Elena knows it but can't help herself. We know Elena is ruining her life when she runs away from her husband and children (echoes of one of Ferrante's other books, The Lost Daughter), but it's clear her life before wasn't good either. And perhaps can never be. Ferrante's created a character who can never be satisfied--partially because of her own personality and partially because she's been set up, since birth, to feel that way.

Book one begins with Lila's disappearance, at the age of sixty. I'm eager to get to that moment in book four--to see where Elena ends up after she and Nino (inevitably) dissolve; to see if Elena and Lila can have the real conversation Elena wants; and to see if Elena can shake off the drowning whirlpool of Naples once and for all.

P.S. Get this series a better cover!

Sunday, September 17, 2023

"I Am Homeless If This Is Not My Home" by Lorrie Moore

I'm feeling rusty. Not a good start for a book that I liked but is sort of hard to define. It's far easier to complain and criticize.

I Am Homeless If This Is Not My Home is a book made of two disparate, and drastically unequal, parts. The majority of the book concerns Finn and his relationships with two people: his brother Max, who is dying in hospice; and his former-girlfriend Lily, who has died by suicide... but is now joining Finn on a road trip. The second story is in epistolary form from a late-19th-century hotel owner to her deceased sister. As the New York Times review put it, the novel "braids a historical ghost story with a zombie romance."

Okay. So not surprisingly the book is about grief and loss and all the undefinable messiness that comes with it. The epistolary story is a bit mysterious and then jauntily shocking. The Finn romance is more complicated. I loved the early part of the story with Finn talking at Max's bedside. Moore captures the absurdity of the situation and the brothers' attempts to form meaning and maintain levity at the same time. However, halfway through the story, we shift to the zombie-romance road trip with Finn and the decaying-but-animated body of Lily. Here's where it gets trickier. The emphasis on Finn's conflicting feelings about Lily makes sense--how can you understand a relationship where one person wanted to end her life? What does that mean about her feelings about you? Your feelings for her? All fertile ground, but it's mixed into near-constant descriptions of Lily's decomposing body. Which, sure, emphasizes that Finn isn't talking to a real person, but rather a palimpsest of his ex-girlfriend, but it's still a lot. And I really don't want to read about someone having sex with a zombie. 

Nonetheless, I enjoyed the book. Moore has a fantastic way with sentences--they hum with humor and meaning. There's a joke in almost every sentence, yet it doesn't feel overdone or hackneyed. It's the kind of book where you could do a deep-dive into just a single paragraph. Also the kind of book worth re-reading. 

Sunday, August 13, 2023

"Queen of Scots" by John Guy

In traveling through Scotland this summer, I was often confronted with the complicated history between England and Scotland, particularly during the tumultuous reign of Mary, Queen of Scots. Despite many well-written plaques at Edinburgh Castle, I left the country mostly confused and set out to find a book that would do justice to the soap-opera tale, the showdown between Catholic Mary and Protestant Queen Elizabeth. Guy's Queen of Scots was well-reviewed, but ultimately I wished I'd just chosen a historical fiction version instead.

I get it--if you're a historical scholar, you do a lot of research. Especially if what you're writing about has already been researched and dissected for hundreds of years. And if you then write a book about that research, you want to include everything. For the fellow historical scholars who are reading the book, that kind of thoroughness is no doubt appreciated and necessary. But for an average reader who wants some insight on an important period in history, that level of thoroughness is simply tedious. There are so many names. There are so many complicated lineages and relationships. And a lot of them aren't that important to understanding the central conflict. A 200-page Reader's Digest condensed version might have been nice, but I found myself increasingly skimming as the book went on. It's a shame, too, because the story really is wild and deserving of a great, fact-based, narrative retelling.

Guy is also very clear in his allegiances. That's not necessarily bad, but it does come across a little oddly in a comprehensive biography. In Guy's view, Mary is a beautiful, charming, crafty strategist who makes only a few minor blunders. Queen Elizabeth also comes across well. But other people are dismissed out of hand as villains. 

I'm going to try the film adaptation and see if it's any better.